

2. Where would you like to live? I'm content to live in this house in the Willamette Valley for as long as I am alive, but I'd love to go visiting to other great locations.





pg. 9
The baby boom psyche embraces a powerful presumption that education is a key to moving away from manual labor, and dirt--two undeniable ingredients of farming. It's good enough for us that somebody, somewhere, knows food production well enough to serve the rest of us with all we need to eat, each day of our lives.
If that's true, why isn't it good enough for someone else to know multiplication and the contents of the Bill of Rights? Is the story of bread, from tilled ground to our table, less relevant to our lives than the history of the thirteen colonies? Couldn't one make a case for the relevance of a subject that informs choices we make daily--as in, What's for dinner? Isn't ignorance of our food sources causing problems as diverse as overdependence on petroleum, and an epidemic of diet-related diseases?
pg. 127
When we traded homemaking for careers, we were implicitly promised economic independence and worldly influence. But a devil of a bargain it has turned out to be in terms of daily life. We gave up the aroma of warm bread rising, the measured pace of nurturing routines, the creative task of molding our families' tastes and zest for life; we received in exchange the minivan and the Lunchable. (Or worse, convenience-mart hot dogs and latchkey kids.) I consider it the great hoodwink of my generation.
pg. 286
Snow fell on our garden in December, leaving the dried corn stalks and withered tomato vines standing black on white like a pen-and-ink drawing titled Rest. I postponed looking at seed catalogs for awhile. Those of us who give body and soul to projects that never seem to end--child rearing, housecleaning, gardening--know the value of the occasional closed door. We need our moments of declared truce.
pg. 287
Value is not made of money, but a tender balance of expectation and longing.
pg. 288
Planning complex, beautiful meals and investing one's heart and time in their preparation is the opposite of self-indulgence. Kitchen-based family gatherings are process-oriented, cooperative, and in the best of worlds, nourishing and soulful. A lot of calories get used up before anyone sits down to consume. But more importantly, a lot of talk happens first, news exchanged, secrets revealed across generations, paths cleared with a touch on the arm. I have given and received some of my life's most important hugs with those big oven-mitt potholders on both hands.
The 2008 production will be performed in the style of the great silent films of the early 1910s and 1920s, with fantastic costumes reminiscent of the Ziegfeld Follies, Valentino..., Mary Pickford and the great silent film comics Buster Keaton and Charlie Chaplin... all under a midsummer night's sky!
Titania and Oberon:
Peter Quince, Bottom, and Co.:
Do you have a room that is crying out for a bold splash of paint, but you are too nervous to cover all the walls? Do you have an area or wall with no clear beginning or end? Do you want to create an instant focal point?Paint a square (circle, rectangle) on the wall to contain your grouping. This can be a splash of color on a neutral-colored wall, a color slightly more intense than the base coat, a contrasting color, or even a simple neutral color.I recommend painting an area just larger than the grouping you intend to highlight. If you want the freedom to change around your decor, keep the remaining can of paint handy for easy touch-ups and nail hole patches.If you want to emphasize the area, attach simple (or not so simple) wooden trim in a frame around the painted square.In our previous home I desperately wanted to paint our hallway an interesting color (it was boring white), but there was no place to end the paint before heading into the kitchen. I painted a large rectangle (it almost filled one wall), hung four picture ledges floor to ceiling within the space, and painted a quote to define the theme.
::Set your items on the floor or on a large table so that you can see how they all fit together. When you've arranged everything to your satisfaction, take the center-most item and hang it in the center of your wall space, about eye level. Hang each item, working from the center out.
::Alternately, use pieces of paper cut to the same size as the items you'll be using in your grouping so that you can easily move things around to find the right arrangement. Use tape or poster putty to attach them to the wall. When you are ready to start hanging, put the corresponding paper up to the back of each item to mark where your nail holes need to be. Adhere the papers to the wall, pound your nails through them, tear the papers off, and you are ready to put up the finished product.
Oh, Snap!, Clare-ify, and Vignette & Blur:
Rusty Cage:
Derelicte:
Punch Out!!!:
Bullet Tooth, Dirty Lovin:
Super Fun Happy: